MTAA-RR » off-line art:
Documentation of our off-line art projects. Click "read more »" to see detailed documentation.
Simple Net Art Diagram
1997, digital image
thisisamagazine issue 13; Protocol: How Control Exists after Decentralization; TIME!®; etc
AutoTrace #1 (Full Fathom Five)
2005, digital image
not yet exhibited
permanent link to this post
Commons Art Diagram
2007, digital image
The Art Happens Here, as part of iCommons Summit '07, Dubrovnik, Croatia
10 Pre-Rejected, Pre-Approved Performances: Midnight In The Deli
2005, web page, $100 worth of deli goods, digital video, wood
Artists' Space, We are all Together: Media(ted) Performance
3’ High & Rising, Newark
2006, wooden platform, gallery reception desk
Aljira Emerge 7
Win Our Friendship
2000, C-print, index cards, pen, wooden box
Me & My Friends, 57Hope, Brooklyn, NY, USA;
friendly fire, project, Toronto, Ontario, Canada;
(718): A Bridge To Brooklyn, Cranbrook Art Museum, Bloomfield Hills, MI, US
veiweratstar67@yahoo.com Gallery Interface
2000, large format inkjet print, computer, Yahoo!
Bi-Virtue, star67, Brooklyn, NY
MTAA proposes to extend the exhibition space of star67 gallery, brooklyn, by the amount of 3 megabytes of disk space on the servers of yahoo.com. permanent link to this post
Happy Fun Summer Rebellion
2000, performance installation: wooden signs, customized police barricades, food, beer, certificates
A Day At The Beach, PS1 Art Center, Queens, NY
Pirated Movie - A Pirated Screening of The Pirates of The Caribbean
2003, DVD-Video documentation of a live performance
Postmasters, New York, NY
IN PREPARATION FOR THE SUMMER AIR IN BROOKLYN TO RISE FROM THE CONCRETE IN A MANNER WHICH DISTORTS ONE’S ABILITY TO JUDGE DISTANCE AND MEANING (AKA MANUAL ZOOM MIRAGE)
2003, postcards, digital C-prints, custom plywood frame, digital images
Rome Arts, Brooklyn, NY
Contemporary Gargoyle—Black (Soap) Box
2002, plywood, telephones, C-print, recorded messages
The Omega Manual, Smack Mellon Studios, Brooklyn, NY
Lo-Fi Message Board
2001, chalk board paint, chalk
Creative Time's Cell Lounge at The Meat Market Art Fair, New York, NY
In Preparation For The Reversal of Gravity (AKA Flying Buttress)
1995-2001, industrial springs, cement block, C-prints
Socrates Sculpture Park, Queens, NY; Tipping Point, White Columns, New York, NY
Direct To Your Home Art Projects Museum Model
1999, custom table, architectural model, doll house furniture, ephemera
Our New Stealth Model of Careerism, Walden Gallery, NYC, NY; Studio-Visit.com - the show, 31 Grand, Brooklyn, NY
Endnode (AKA Printer Tree)
2002, plywood, inkjet printers, 8 1/2" x 11" office paper, cables, computer, email discussion lists
Beta Launch: Eyebeam Artists in Residence '02, Eyebeam Atelier, New York, NY
Visit www.endnode.com for details, images, mailing list archive, and other information. permanent link to this post
Dig: A Search For Captain Paine’s Ill-Gotten Loot
1997, tourist brochure/map, record album, certificates
Convergence International Arts Festival, Providence, RI
Restless Crowd Control
2001, video installation, barricades, slide projections
Good Bad Art Collective, Brooklyn, NY
DC 9/11 - The Evildoers’ Remix
2004, digital video
RNC NODE, Postmasters, New York, NY; The Thing, New York, NY
In Preparation For An Attack By Mobs Of Hideously Deformed Radioctive Mutants On 31 Grand (AKA Cage Match)
2003, chainlink fence, blue tarp, 2x4, flourescent light, digital C-print
Dealer's Choice, 31 Grand, Brooklyn, NY
In Preparation For The Over-Running Of White Columns By Hordes of Bloodthirsty Barbarians (AKA Bunker Flood)
2001, cinder blocks, sand bags, C-print
Tipping Point, White Columns, New York, NY
Art Film Slide Advertisements
1997-1999, 35mm slides
4 Walls Slide & Film Club, 4 Walls, Brooklyn, NY; miscellaneous other venues
1 Year Performance Video (installation version)
2005, plywood, Homasote®, felt, stage, domestic goods, digital video and custom software
not yet exhibited publicly
[click for a larger image]
The “1 Year Performance Video (installation version)” recasts the set of 1 Year Performance Video as a sculptural tableau with the 1YPV vidoes projected on the rear wall.
Custom-built software runs two video channels independent of one another. Once the software is started it’s programmed to run for one year. The number of days the software has been running is displayed above the video.
The entire stage is rebuilt and encloses the piece. permanent link to this post