MTAA-RR » news » twhid » rhizome artbase 101:
Feb 12, 2006
Rhizome ArtBase 101
posted at 16:45 GMT by T.Whid in /news/twhid
It’s long, so I’m linking to a PDF, but I’m posting the facts and some tasty bits below.
Rhizome_ArtBase_Release.pdf (108KB, this was updated on 6/6/05)
Here’s a list of all the artists, ARTBASE_ARTISTS.pdf
Rhizome ArtBase 101Download the PDF to read more! permanent link to this post
Forty Selections From Rhizome ArtBase Demonstrate Scope of a Decade of New Media
June 23 - September 10, 2005
[…]
The Rhizome ArtBase is a respected online archive of new media art containing some 1,500 works. Founded in 1999, the ArtBase is unique because of the wide variety of new media art forms that it includes, such as software art, games and moving image, and also for its international scope. The 40 works selected for the New Museum exhibition are outstanding examples culled from the ArtBase and grouped by ten unifying themes: Dirt Style, Net Cinema, Games, E-Commerce, Data Visualization and Databases, Online Celebrity, Public Space, Software Art, Cyberfeminism and Early Net.Art. Rhizome ArtBase 101 includes seminal pieces by early practitioners such as Alexei Shulgin’s Desktop Is (1997) and Heath Bunting’s _readme (1998), as well as projects by more of the most pioneering emerging talents working in the field today, such as Marisa Olson, Cory Arcangel and Paper Rad.
[…]
Data Visualization and Databases create unexpected relationships between informational entities. Mark Dagget’s Carnivore Is Sorry (2001), for example, uses RSG’s network surveillance program Carnivore (2001-2003) to track individual users as they navigate the web. The resulting web data is compressed into a jpeg resembling an abstract artwork, and then e-mailed to the user to offer them an alternative look at the information that recently passed along their browser. One Year Performance Video (akasamhsiehupdate) (2004) sources prerecorded clips of Brooklyn-based collaborative MTAA into a streaming video diptych that simulates a fictional narrative of the artists living in adjacent, identical white cells for the duration of a year.
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