Photos from last nights OTO with Annie Abrahams now up at OTO’s Flickr Set #
Error: I'm afraid this is the first I've heard of a "org" flavoured Blosxom. Try dropping the "/+org" bit from the end of the URL.
The Big Kiss - Annie Abrahams at OTO
Photos from last nights OTO with Annie Abrahams now up at OTO’s Flickr Set
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Annie Abrahams - The Big Kiss at OTO Oct 10
Image from the performance “One the puppet of the other” with NicolasFrespech, May 26th 2007, Centre Pompidou Paris.
On October 10, from 7pm to 10 pm, Over The Opening is pleased to present The Big Kiss, a performance installation by Annie Abrahams.
What’s contact in a machine mediated world? What’s the power of the image? How does it feel to kiss without touching? Does the act change because we see it? What does it mean to construct an image with your tongue? And is there still desire? Does the act provoke it? What’s contact in a machine mediated world?
You are invited to participate in the creation of a communal kiss at OTO
Annie Abrahams is a Dutch artist living in France. Abrahams work is featured on her site “Being Human / Etant Humain”: a big interlinked universe that concentrates on the possibilities and limitations of communication as well as at aabrahams.wordpress.com
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koller’s campfire time at oto
Photos from last nights OTO with Mike Koller now up at OTO’s Flickr Set
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Lee Walton: Official Book Signing Event
Lee Walton: Official Book Signing Event - Strand Bookstore, NYC - Lee Walton signs books form the Strand’s outdoor $1 book bins. (that’s Lee in the green hat)
This is the book I got for Lee to sign (not one from the $1 bin)
I had him sign page 148 on a the image of Manzoni signing one of his “Living Sculpture”. I think Tim and I will sign it on the page with Gilbert and George and then put it up for auction on eBay.
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Campfire Time - Mike Koller at OTO - Sept.19 
On September 19, from 7pm to 10pm, Over The Opening is pleased to present Campfire Time, a new installation by Mike Koller. This marks his second exhibition at OTO.
“… either sitting around a campfire drinking beer and telling lies, or telling lies and drinking beer while sitting around a campfire. But I wasn’t there so I can only guess.”
- from Bigfoot Has a Long, Lively Local History by Guy Barnes
OTO’s one night format provides an excellent forum to examine social situations and the various activities they surround. Koller’s 2007 instalation, “The Holiday Rejects” looked at the holiday season and the awkward obligations of our interactions during these familial events. In this spirit of experiment, “Campfire Time” examines the intimacy and spirituality of the campfire and our fascination with it. An installation featuring animated projections of the west at sunset, fake logs, terrain, a carefully edited mix of sounds, and of course the campfire itself, “Campfire Time” gives the opportunity for the viewer to develop their own ideas on the nature of our interactions around this timeless and supernatural centerpiece.
Drink beer, tell lies, sing songs, converse intimately, tell ghost stories, or quietly enjoy the recorded crackles and pops of a campfire as you sit beneath the projected sky. Stare pensively into the incandescent glow of the campfire, rest your head on a fake log, and bid a fond farewell to summer.
directions and info on OTO
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Dante’s Inferno RIP
Astroland is now closed for the summer and forever. The 1970 dark ride Dante’s Inferno is up for sale ($225,000). Here is some video I shot on the ride a few years back. Tim and I took the video and looped it, slowed it, and ran it back and forth to make this 3 min film. For the most part, it’s just black with a person screaming. Go ahead and take one last ride.
USM from mriver on Vimeo.
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photos of ecoarttech at oto
Now up on
OTO’s Flickr set
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Conflux 08 (September 11 - 14)
Photo of Kate’s big win in MTAA’s Super Slow 5k durring Conflux 07
Conflux is an “art and technology festival for the creative exploration of urban public space.” Last year, MTAA performed the Super Slow 5K as part of the festival. This year, I was asked to be part of the juror committee. Here are a few (of the
many ) 08 projects that I’m looking forward to checking out.
Lee Walton: Official Book Signing Event - Strand Bookstore, NYC -
Lee Walton signs books form the Strand’s outdoor $1 book bins.
Woody’s Ghost
- Preston Poe performs the songs Woody wrote in the very locations where he wrote and sang them.
Open House - Finishing School opens the home of Matt Fisher and Todd Cooper.
C-Town Echolocation - Jeff Sisson and Bennett Williamson tour and map NYC’s C-Town supermarkets.
Speculation Station - The Eh-Team builds a faux subway entrance.
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EcoArtTech’s “Externalities: Wilderness and its Others” at OTO
On September 5 from 7pm to 10pm, OTO kicks off our second season with EcoArtTech’s “Externalities: Wilderness and its Others”
EcoArtTech (Christine Nadir & Cary Peppermint) continue to rethink relations between humans, technics, technology, and the environment with “Externalities: Wilderness and its Others” a networked, video-based performance piece. The performance will examine the conditions of possibility for getting back to “nature”
Co-founded in 2005 by Christine Nadir and Cary Peppermint, EcoArtTech works with digital, networked, and sustainable technologies and contemporary environments to create art about the environmentality of modern life. Drawing on a wide range of literary, artistic, and theoretical fields, our aim is to imagine new, healthy, and sustainable relationships between animals, humans, and their environments and technologies.
ecoarttech.net
About OTO - Each month the artist collective MTAA convert their N6th St. Brooklyn studio into a venue for the presentation of time-based art.
map and directions
Next up on Sept. 19 - OTO’s 2nd September show with Mike Koller
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1ypv — q and a
Back in 2004, MTAA launched the 1 year peformance video (1ypv). A few months ago the finish sequence became buggy (AKA stopped working) due to ‘undiagnosed server configuration issues’ (yeah, yeah MTAA — excuses, excuses). Although this has been a drag (mostly for T.Whid, all I do is ask Zoolander-like questions, “You mean the files are IN the computer?”) it has given me a chance to chat with a recent 1ypv Hall of Famer named Blake. Up until now, I’ve more or less avoided contact with 1ypv viewers. The silence is for no other reason than the fact that automation is an important part of the work. The wall came down when Blake and a few other recent Hall of Famers contacted us about the bug. It seemed like a good time to ask some basic questions of someone who felt the need to watch T.Whid and I sit around for a year. Following is a brief Q and A with an actual 1ypv survivor. Warning: 1ypv spoilers ahead!
M.River - So, how was the work?
Blake - Honestly, I found it amusing on a few levels: me actually looking at it for lengths of time (more on that with the next answer), the fact of timing it so one sees certain “time appropriate” sequences, (dark at night, etc), and the overall idea of someone (you folks) actually putting the “success” of the execution on the viewer.
MR - What made you decide to attempt a year with it?
B - I thought it was a fun idea; that seems so “unartistic” a response, but hey, that’s the truth of it. I liked the idea of committing myself to something like this (even if passively) for a year just to see if I’d remember to do it.
MR - How did you do it? I mean did you just turn on an old laptop, stick it
on a shelf and check back in a year? I think that’s how I’d try it.
B - At first I turned it on everyday at work and let it run for the 8 hour day, checking here and there. off and on (probably for the first half of my viewing) I’d forget a day or two and come back to it. Then, when I decided to quit my job I started running it 24 hours a day in the background, and I was excited when the screens would “buffer” for hours because then I could listen to music without the sounds of the piece. The last 20 or so days were run almost nonstop on my laptop, but I’d take breaks for fear of overheating (I obviously wasn’t concerned with the work computer…ha!). When I realized I could time it to Marilyn’s death date, I started getting strict about keeping stuff running. Also, for the latter half, I’d sometimes watch for 15 or so minutes at specific intervals just to see what loops came up (tossing the wallet and toilet paper rolls were probably my favorites, why I don’t know…)
MR - Is your understanding of the work different after a year than what you expected? I mean, was doing the project different than understanding the project?
B - Well, I liked the ideas behind Tehching Hsieh’s year art, and I knew that since I was only seeing recorded loops (and not even “watching” the whole thing for an entire year) I wasn’t expecting some revelation at the end. I have thought more about time / duration and what delineates art from life (I know, gettin’ arty again), but overall, I am down with the idea of having gotten my name on the wall, as it were. Oh yeah, as a side note, I was kinda hoping that the last minute would have been yet another pre-determined / triggered loop so that no matter what time it was it switched to a sequence where you both approached the camera (breaking the 4th wall / 4th computer screen) to say “congratulations” and then blackout, but at the same time it was almost better that the time just kept rolling as if to say “it’s been a year; so what? think about ~that~, pal!”
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GRL’s James Powderly held in China
Foto di Achille Filipponi
James Powderly was detained by Chinese authorities in Beijing early Wednesday, according to a message received by Students for a Free Tibet around 5PM Beijing Standard Time, said an SFT spokesperson. The message, sent through the social networking site Twitter, read “held since 3AM”, said friend and SFT board member Nathan Dorjee. Powderly has not been heard from since-more than 24 hours later-and his whereabouts remain unknown, he said.
Photo - GRL in Rome (Enzimi 07)
Students For a Free Tibet (SFT)
Graffiti Research Lab (GRL)
Update According to BoingBoing it looks like Powderly and a few others are going to do 10 days in jail…
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Born to Run - Cory’s Glockenspiel Addendum at Light Industry
Photo via T.Whid’s new iPhone
Photo via my old 3.2 Mega Pixel Pentax
…Blog post about the show by Diane Hatz
…background on Cory’s Glockenspiel Addendum
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Plan 9 (scenes 1-3)
An Attempt to Re-film Plan 9 from Outer Space (scenes 1-3) at Light Industry, Brooklyn, NY
Greetings, my friend. We are all interested in the future, for that is where you and I are going to spend the rest of our lives. And remember my friend, future events such as these will affect you in the future. You are interested in the unknown, the mysterious, the unexplainable. That is why you are here.
An Attempt to Re-film Plan 9 from Outer Space (scene 1)
An Attempt to Re-film Plan 9 from Outer Space (scene 2)
An Attempt to Re-film Plan 9 from Outer Space (scene 3)
Staring
Ed Halter as CRISWELL
T.Whid as DANNY
Thomas Beard as JEFF
Cory Arcangel as OPERATOR
Hanne Mugaas as EDITH
Christopher Fahey as GRAVEDIGGER #1
T.Whid as GRAVEDIGGER #2
and Margaret (tinydiva) Jameson as VAMPIRA
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GRAPHICS INTERCHANGE FORMAT
GRAPHICS INTERCHANGE FORMAT
67 artist-made animated GIFs
Curated by Laurel Ptak iheartphotograph.com
Part of the exhibition Young Curators, New Ideas
Bond Street Gallery
297 Bond Street, Brooklyn NY
Wednesday, August 13 – Saturday, September 6, 2008
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Curator’s Statement:
GIFs are a modest 8-bit-per-pixel bitmap image format introduced to the
world by CompuServe in 1987. They have the distinction of being the very
first color compression format widely used for images online (predating the
JPEG by 7 years). One of the beauties of the GIF is that a single file can
contain multiple images shown in a timed sequence, giving the effect of
motion, known fondly as an animated GIF. In the ’90s these proliferated
onscreen in the form of dancing babies and rotating globes, maladroitly
articulating a kind of humanist optimism about the internet. Looking back at
them now, animated GIFs seem at once gleefully lo-fi and ineffably poignant,
almost desperate to communicate something beyond what the bounds of their humble technology could allow.
Curious how this lo-fi form might fare in a contemporary context, I
commissioned 26 photographers, designers, and new media artists to embrace
this more than 20-year-old technology. They were given only 3 days to work
on their projects and were encouraged, though not required, to incorporate
photographic materials. Some had never made an animated GIF before and some
were notorious for it. The approaches, aesthetics, and meanings to be found
in their GIFs really impressed me. Some use the form epically like a
novelist or a film director; others are self-reflective about the limits of
technology and representation; many challenge photography’s usual atemporal
disposition; and then some just make me giggle.
Their full results are on view at Bond Street Gallery from August
13–September 6, 2008, shown on 44-inch flat screen in an infinite loop. Each
GIF is sold in an unlimited edition for $20, accompanied by a personalized
note from the artist.
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Featuring work by Victor Boullet, Tyler Coburn, Petra Cortright, C.Coy, Daniel Everett, Thobias
Fäldt & Per Englund, Martin Fengel, Jason Fulford, Nicholas Grider,
Pierre Hourquet, Konst & Teknik, Eke Kriek, Emily Larned, Matt MacFarland,
Katja Mater, Kelci McIntosh, Ilia Ovechkin, Robert Overweg, M. River, Noel Rodo-Vankeulen, Asha
Schechter, Trevor Shimizu, Jo-ey Tang, Anne De Vries, Karly Wildenhaus and Damon
Zucconi.
I’ll be showing my vacation 08 gifs - vacationoitacav
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Jenny Holzer’s PROJECTIONS at MASS MOCA
Web cam of the install through November 16, 2008
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Desert Bus
As part of my 5 min presentation of Want at the CC art camp this year, I showed the 1ypv. I mentioned my amazement that 24 people have spent a year watching us hanging out in a cell. The next day I was talking with George Fifiel about durational performance / media art and he told about this strange lost game by Penn & Teller from 1995. Part of the game was a driving simulator called “Desert Bus”. In this game you have to drive a beat-up bus through the Nevada desert for eight hours in real-time to reach Las Vegas. Once you get to Vegas, you are told to turn around and drive home. In the game the bus veers to the right so you have to keep your hands on the joystick the entire 16 hour trip.
Love it.
More background on
Desert Bus
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Photos from Playscape at OTO
Photos from Dana Strasser and Isabella Bruno’s OTO event “Playscape”, are now up on the
OTO Flickr set.
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Rhizome Ghost - 24-Hour DOA 
You enter a small candlelit library. A crowd of mourners mill about an open coffin in the center of the room. In the coffin rests a body wrapped in a white sheet. The sheet has two black spots painted on for eyes.
T.Whid approaches you dressed in black, two whiskeys in hand. As he offers you a drink, he begins…
T. Whid — Hell. Glad you could make it out tonight, didn’t think you’d make it. Here, have a drink, find a place to stand. M.River is going to start soon. Lauren, Patrick and Luis are already here. I think they’re over at the buffet table. Please, help yourself. Thanks again for coming out.
As you make your way through the crowd to the buffet table, M. River, dressed in a white suit with black armband, climbs onto a chair near the coffin. He raises his arms into the air and begins.
M. River — Dearly Beloved, a few months ago Luis Silva asked T.Whid and I to participate in an email-based exhibition hosted on Rhizome. We had recently been thinking about how Rhizome has, in the past, been used not only as a place to announce and talk about art, but also as a platform to create art. We were also thinking about some MTAA projects like vieweratstar67@yahoo.com, Endnode AKA Printer Tree and Karaoke DeathMatch 100 all of which incorporated open, group interactions.
We were thinking about a key on the floor, a group identity, and an empty room. We were also thinking about, as we often do when we think about the Internet, ghosts.
We worked with Rhizome to set-up an open account using the ghost@rhizome.org email address. We then submitted this text as our work for the FW: Re: Re: exhibition:
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a one-month email haunting of rhizome.org (aka ghost@rhizome.org) user name: ghost@rhizome.org (rhizomeghost@gmail.com)
password: boobooboo 11-07-2008 to 11-08-2008
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m.river in the studio
Hey all. M.River here of MTAA. I’ve been in the studio this summer working on some new paintings. Can’t wait to show them. Wish me luck.
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Playscape at OTO Friday July 18
"Play is the exultation of the possible." - Martin Buber
On July 18th, from 7 to 10pm, OTO is pleased to present a new installation by Dana Strasser and Isabella Bruno.
Strasser and Bruno create a playspace for the adult set using specifically selected, everyday objects in transformative ways. Immerse yourself in a sea of balloons, and let the play happen.
OTO goes on vacation in August and will return in the fall with a new works by Mike Koller, Mike Sarff, Cary Peppermint, Curt Cloninger, Annie Abrahams, and more.
For details and directions check
Over The Opening.
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rhizome_ghost
a one-month public haunting of rhizome.org
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xandxx
xandxx
10 netartworks I was interested in around 10 years ago and 10 from the last few years.
Note - This is not a “best of” list. It is just some works that I think about for time to time. I’ve added a MTAA work in the netart_x section only because it was done with Eryk Salvaggio and his webiste from that time (one38.org), like so many works from that time, is gone. Seeing as I’ve left off a good many netartworks that I like, I may (or may not) change the list from time to time. I think of xandxx as an netartwork. I hope to live long enough to add a netart_xxx section in 2018 on the longest day of the year.
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LOSHADKA at OTO (Photos)
Photos from last night in
OTO’s Flickr set
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1 hit
1hit from mriver on Vimeo.
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LOSHADKA at OTO on Friday June 13
OTO is pleased to present on Friday June 13th from 7 to 10pm, an new installation by LOSHADKA (http://www.loshadka.org/)
ILIA OVECHKIN
PETRA CORTRIGHT
DAN WICKERHAM
WILL SIMPSON
TRAVESS SMALLEY
JAY PEYTON
BILLY RENNEKAMP
THOMAS GALLOWAY
HAYLEY SILVERMAN
SPEED LIL-LIZ_GUY69: HELLO pup
PIXL_lixxard: SUOP SUP SUP SUPSUPS
lil-liz_guy69 of sup: hé foutue attacks you with armed hand where you with for this praise with neon I heard it descends U To the bottom
PIXL_lixxard: spout out some wwtf go to the hell go to your tomb which I do not go anywhere with a witch
lil-liz_guy69: U are dry everywhere of the United States in your shorts of spoils eating a meat pie
PIXL_lixxard69: I hold a cat which I make of drugs and im energy with the swimming pool of stuffing of space
lil-liz_guy69: a good number of drugs and drinks and music and hot hot hot babies in an oil factory functioning for dollar$
PIXL_lixxard: each one there will be sexy AM completely foutu I right or amirite
lil-liz_guy69: honey bee which you know that I am ready with the ready git and obtain pumped
PIXL_lixxard: hehehebreaking all the rules on this ground
more at oto…
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when push comes to shove…
From the epilogue of Defunct in Ohio , a work I wrote for SMAC! in 2003:
Machines and systems come into this world. They thrive and then grow old. Technology gets updated, replaced or just fades off on its own. Sometimes, because we miss them, we dig up graves and let the dead walk the earth. We love seeing undead lurch around, bloody limbs and all. New media is growing old. We are already writing the eulogies. While some prepare for last rights, others will contact voodoo priests and sharpen their spades. Me? I’m ironing my plaid thrift store shirt, excited for the funeral.
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Church of the Rough Guide at OTO
Photographs from the Church of the Rough Guide at OTO last night are now up at Flicker. Yes, some people ate the shrimp off the walls.
OTO’s Flickr set
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Conflux 08
Conflux 07 - MTAA’s Super Slow 5k
Conflux
is the annual art and technology festival for the creative exploration of urban public space. The 2008 festival takes place September 11 - 14 throughout New York City. You can now submit a proposal to participate in the 08 festival
here.
The deadline is May 31, 2008.
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Nick Lesley and Eben Lillie’s Church of the Rough Guide
On May 9, from 7pm to 10pm,
Over The Opening
is please to present “Church of the Rough Guide”, a new installation by Nick Lesley and Eben Lillie. “Church of the Rough Guide” continues the themes and characters found in recent their performance “Rough Guide to the Grotesque”.
“Church of the Rough Guide” is devoted to the lessons of the “Rough Guide to the Grotesque” as written by the great travel writer, Boreas. “Rough Guide to the Grotesque” is a tall tale that depicts an idealistic hero whose principles live on in all of us today. On a quest for love and companionship he faced many dangers. He was deceived by a false idol of love and engaged in a battle of sexual appetites with his apparent soul mate, Sophia of the Forest. He died tragically shortly after finding happiness in joining the Caridea tribe; a juicy, fleshy commune. The story contains lessons of love, comradery, lust, and community which are valuable to us all.
The performance of “Rough Guide to the Grotesque” was made possible with the help of the cast, The Living Theatre, Materials for the Arts, and the House of Yes (RIP). The work premiered at The Living Theatre in April of 2008.
Rough Guide To The Grotesque
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i like america…
New artwork - “i like america and america likes me” is an open wiki history of America and Michael Sarff at http://americaandme.wetpaint.com/
I’m just trying to figure it all out. Yes, I can use your help.
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Sunday forecast (LOVE + HATE) x 100
Sunday Forecast
High 53 degrees F
Chance of precipitation 30 percent
ARTWALKING: Eyewash’s 10 year Anniversary Show
Curated by Larry Walczak & Donna Kessinger.
30 artist in 30 storefornts on Bedford Ave, Brooklyn
April 27 through June 8, 2008
Opening Sunday April 27 (2 to 8 pm)
MTAA will be showing (LOVE + HATE) x 100
at
Amarcord Vintage Fashion - 233 Bedford Ave between N4 and N5
MTAA will also be hanging out a Spike Hill (Bedford and N7) in a booth in the back around 6pm if you want to join us.
Tom Brumley @ Bedford Fruits & Vegetables
Peter Fox @ Earwax
Asha Ganpat @ Blackbird Parlour
Linda Ganjian @ Catbird
David Kramer @ Trojanowski Liquors
Peter Krieder @ Bedford Cheese Shop
Hiroshi Kumagi @ Bliss
Yuliya Lanina @ Mini Mart
Jeesoo Lee @ Kings Pharmacy
Lisa Levy @ The Health Food Store
Nora Ligorano & Marshall Reese @ Reel Life
Rebecca Major @ Peters since 1969
Ben Marxen @ Northside Pharmacy
Sebastian Masuelli @ Spike Hill
Ondi McMaster @ Ella’s
Shari Mendelson @ Uva Wines
Vikki Michalios @ Angelicas Beauty Shop
Jonas Mekas @ Spoonbill
MTAA @ Amarcord
Diane Nerwen @ Ugly Luggage
Rune Olsen @ Victoria’s Coffee Shop
Catya Plate @ Eyeco Vision
Bob Seng & Lisa Hein @ NYC Pet
Amanda Thackray @ Bagelsmith
Ishmael Randall Weeks @ Oculus 20/20
Sante Scardillo @ Kasia’s
Tamika Kawata @ N7 Deli
Gandalf Gavan @ Brooklyn Industries
update - photo from the install, more pics soon…
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m.river on warren ellis on aliza shvarts
“If she’s doing what I think she’s doing, Aliza Shvarts might be the first “great” conceptual artist of the internet age.”
warrenellis.com
In the post below, I, M.River, revealed to the artblogshere my blessing and curse of Infallibility. I would like to now reveal my first post Infallible revelation truth.
At first you will think only of this truth as M.River once again just speaking the facts. Please go beyond this point. Please meditate on this truth until you reach the next level where the world becomes clear and your art reality sharp. Here is the truth.
JODI is the first great conceptual artist of the internet age not some student at Yale who punked Gawker.
Go now in peace and love.
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m.river speaks…
Although I’m not sure what drove T.Whid to write this disclaimer, I thought I’d follow up with my own.
To whom it may concern,
Everything I, M.River, post on the MTAA-RR is true. Not only are the posts true
and unbiased, but they should be thought of as truths that point to a greater
reality that goes beyond right and wrong.
No… no, that’s nice, but you do not need to thank me, toss flowers at my feet
or build small shrines in my honor. I’m here to give you the truth because you
deserve it. Yes, I do all this for you.
Take care and try to be nice to each other today or you will feel my wrath.
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twhid update:
hahahahahahaha
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Self-Selected Super St*rs
MTAA’s Self-Selected Super St*rs
Tuesday, April 29, 2008 at 8pm
at Light Industry
On April 29 from 8PM to 10PM, in a Sunset Park factory, the artist collaboration MTAA shoot and simultaneously screen two films…starring you.
Are you great at off-the-cuff repartee? Look good taking a nap? Able to read bad sci-fi scripts out loud without laughing? Or are you just perfect at hanging out and being you?
MTAA needs you to star in our low budget and barely (if at all) scripted film. Think Chelsea Girls meets Plan 9 from Outer Space while watching Empire. If Michel Gondry’s “Be Kind Rewind” at Deitch Projects is about the positive power of DIY, MTAA’s “Self-Selected Super St*rs” is about the malaise of knowing that all future “it” girls will never really be Edie. It’s about the ever present fear of running out of beer before the night ends.
Here’s how it works:
Two directors/camera operators will set up at Light Industry deep in the heart of Brooklyn. The space will have some cheap/random props and costumes. If you want some acting direction, we’ll have scripts and improv notes ready. If acting isn’t your thing, just come in and be your fabulous self. The shooting will be continuous and casual with both films projected live for your viewing pleasure. Join us for the entire shoot or just walk in for your close-up.
FREE
lightindustry.org
Events take place in Industry City
55 33rd Street (between 2nd and 3rd Avenue), 3rd Floor
Brooklyn, NY 11232
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2 more photos 
twhid update
Couple more photos here and here too :-)
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Back in NYC
Back from the “secret” Cali recon. I’ll post more pics tonight.
Update - Pics now up at
Tinjail and
MTAA’s Flickr site
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going
Oh yeah…I just got a flickr “pro”. You can now enjoy all 493 nuggets of on line snaps and art…like this littel gem of pain - 
Need more? Don’t forget ye ol’ Tintype
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The Surrogates - Eva and Franco Mattes at OTO on April 11
On April 11, from 7pm to 10pm, Over The Opening is please to present a new video performance work by Eva and Franco Mattes (0100101110101101.org)
surrogate - substitute, proxy, replacement; deputy, representative, stand-in, standby, stopgap, relief, pinch-hitter, understudy.
Eva and Franco Mattes continue their investigations into power, authorship and identity with “The Surrogates” a new performance based video project. Combining elements of theater, video, surveillance, and social interaction, “The Surrogates” transforms OTO into an experimental social space questioning the distinction between the viewer and the viewed.
Eva and Franco Mattes works have been shown internationally including: Collection Lambert, Avignon; Fondazione Pitti Discovery, Florence, Postmasters Gallery, New York; Lentos Museum of Modern Art, Linz; New Museum of Contemporary Art, New York; ICC, Tokyo; Manifesta4, Frankfurt.
They received the Jerome Commission from the Walker Art Center, and are among the youngest artists to ever participate to the Venice Biennale. In 2006 they received a fellowship from Colombia University, New York.
Mattes’ works are part of several private and public collections such as the Walker Art Center, Minneapolis; MEIAC, Spain; MAK, Vienna.
More info at
Over the Opening
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not fairs
With our email boxes full of press and the sound of art blog engine revving, the NYC art world heads into Fair Week. Here are two “Alt. Fairs” that I would like to note. Why? I just like the idea that they exist.
Disarmory
Dark Fair
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photo from last night’s Masolit with the Creationists show at OTO
Happy Easter. Photos from last night’s Masolit / Creationist show at Over The Opening show are now up at
OTO’s Flickr set
and
Tintype
We are also as happy as bunnies with gifts of chocolate eggs to announce that the April 11 OTO show will be a new performance based video installation by Eva and Franco Mattes (0100101110101101.org). Word. More details soon.
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Masolit and the Creationists at OTO Saturday, March 22nd (7pm to 10pm)
On Saturday, March 22nd from 7pm to 10 pm, OTO is pleased present the debut live performance of Masolit, a new music project featuring vocalist/producer Margaret Jameson (also known as tinydiva), mix master/producer Phil Painson, and guitarist/melodist extraordinaire Tom Jameson. Before forming Masolit, Phil and Margaret performed together at many New York City venues including Bowery Ballroom, Galapagos, Brownie’s, CBGB’s and Fez as members of the downtown ensemble Market. Influenced by a wide spectrum of musical styles embracing hip-hop, funk, old-ass blues, French Impressionism and electro, Masolit seeks to create an innovative original music culture for the masses.
Opening for Masolit will be the Creationists, consisting of Abe Maneri (keyboards) and Tom Jameson (guitar). They will present a set of eclectic preludes comprising both unpremeditated and intelligently designed phases.
Saturday, March 22nd (7pm to 10pm)
7pm The Creationists
8pm Masolit
To hear Masolit’s latest recording “NSA” go to
www.myspace.com/masolit
or
www.masolit.net
OTO is located at 60 North 6th Street (2nd floor) Brooklyn, NY, 11211
L train to Bedford Avenue
3 Blocks west on North 6th - just shy of Kent
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just thinking out loud on del.icio.us
about artist who visualize communication
http://del.icio.us/m.river/vc
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a song for tim on friday
“Losing My Edge” was the first LCD Soundsystem single released on 8 July 2002.
When I was DJing, playing Can, Liquid Liquid, ESG, all that kind of stuff, I became kind of cool for a moment, which was a total anomaly. And when I heard other DJs playing similar music I was like: ‘Fuck! I’m out of a job! These are my records!’ But it was like someone had crept into my brain and said all these words that I hate. Did I make the records? Did I fuck! So, I started becoming horrified by my own attitude. I had this moment of glory though. People would use me to DJ just to get them cool. They’d be like ‘It’s the cool rock disco guy’ and this was really weird. And to be honest I was afraid that this new found coolness was going to go away and that’s where ‘Losing My Edge’ comes from. It is about being horrified by my own silliness. And then it became a wider thing about people who grip onto other people’s creations like they are their own. There is a lot of pathos in that character though because it’s born out of inadequacy and love.— James Murphy
Photos of RSG’s KRIEGSPIEL LAN Party at OTO
Photos from last night are now up at the OTO Flickr set and at Tintype
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Let’s GET REAADYYY TO RUUUUUUMMMMBLE…
RSG’S KRIEGSPIEL LAN Party
Tonight Only
BYOL (Bring your own Laptop)
(7pm to 10pm) at OTO
More info here
twhid update
And if the snow stops you then you were never really any competition anyway.
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RSG’s KRIEGSPIEL LAN Party is back
We sadly had to cancel this OTO event at the last minute but we’re back on for Friday February 22 (7pm to 10pm). Time to get your war on.
BYOL (Bring your own Laptop)
More info here
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Tonight’s OTO canceled
Darn. Due to circumstances out of our control, we’re going to cancel the KRIEGSPIEL LAN Party at OTO tonight. We’ll reschedule soon and let you know the new date. Looks like late Feb, early March.
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Restless Crowd Control, 2001
Restless Crowd Control (RCC) from mriver on Vimeo
Restless Crowd Control (RCC) was a one night installation at the Good Bad Art Collective in Brooklyn (2001).- slide projections, video projections, internet video-conferencing, custom police barricades, music by Willing (Fritz Welch, Ian Christe) and special guest Stephen O’Malley (of Sunn 0))), Khanate and Lotus Eaters). The linked vid is a 20 mins still shot of Willing’s performance. Play loud. Enjoy.
twhid sez - Awesome! I didn’t even know we had video of this. Whatever happened to Good Bad anyway?
M.River updates - Fritz just emailed to note that the secound guitar (off screen with Ian) is Stephen O’Malley of Sunn 0))), Khanate and Lotus Eaters. Also, I’ve been told that the Good Bad Art Collective (Denton /Brooklyn) split soon after.
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KRIEGSPIEL - Guy Debord’s 1978 “Game of War” Produced for computer by RSG
On February 08, from 7pm to 10 pm, OTO is pleased to present -
+ LAN party! +
KRIEGSPIEL
Guy Debord’s 1978 “Game of War”
Produced for computer by RSG
* bring your own laptop *
In 1978 the French Situationist Guy Debord designed and fabricated a board game called “The Game of War.” Thirty years later RSG is resurrecting this largely forgotten game, translating the game instructions from French to Java and releasing it as an online computer game. We explore the contradiction between Debord, a symbol of radical politics and art in 1960s France, and the Napoleonic war game he created. In Debord’s own words the game was the only thing in his entire body of work that had any value. Was it nostalgia, or a vision of things to come?
Founded in 2000, RSG is a collective of programmers and artists working on experimental software products. The Kriegspiel team consists of: Alexander R. Galloway, producer and programming; Carolyn Kane, research; Adam Parrish, programming; Daniel Perlin, sound; DJ /rupture and Matt Shadetek, music; and Mushon Zer-Aviv, design.
* bring your own laptop *
More info at OTO
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USM
USM from mriver on Vimeo.
MTAA’s very unscary 3 min movie of a Coney Island funhouse made in under 3 hours for a screening at EFA’s gallery in 2007 curated by Marina Zurkow. Play it loud, alone and in the dark.
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young laptop
laptop from mriver on Vimeo.
Teaching net art skills to the next generation.
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Photos from last nights OTO with Elaine Tin Nyo
more at
Tintype and
Flickr
Thanks to Elaine and all the tamale people. Good times.
Update - Tamaler Michele O’Donaghue has some photos at her
I wanna make some Tamales …(hell yeah!)
Flickr set. Thanks Michele.
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Frank (Again) - a performance for Breaking Solitude
Frank(Again), a performance by MTAA (New York) in the frame of Breaking Solitude a project of panoplie.org and Annie Abrahams.
Saturday January 12 20h 8 PM GMT+1 (Paris local time), 2pm New York time at
http://panoplie.emakimono.org/index.php/projets/voir/16
MTAA will draw, with input from the online audience, a larger than life snowman named Frank.
Only 30 places available. Please sign up before the perfromance at Panoplie.org
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Elaine Tin Nyo’s “I Want to Make Some Tamales”
On January 11, from 7pm to 10 pm,
OTO
is pleased to present “I Want to Make Some Tamales”, a cooking lesson by Elaine Tin Nyo
Hands-on cooking lesson 7-8:30
Open public feeding 8:30 until the tamales run out
Enrollment is limited for the cooking lesson. Please contact mriver@mteww.com to reserve your place (materials fee: $5).
Elaine Tin Nyo is a conceptual artist with a computer and kitchen in Harlem, New York and a locker in Chelsea filled with dance shoes.
Elaine’s works explore the structures of sensual experience and social interaction. Her primary subjects have been social structures such as dinners, classrooms and ballroom dance. Her photographs, recipes, videos, installations and performances have been presented by BlindSpot, Deitch Projects, Thread Waxing Space, The New Museum, Creative Time, Bronx Museum, Fargfabriken, Neueberger Museum, Leslie Tonkonow Projects, Chez Bushwick, and French Culinary Institute.
Upcoming shows at Over The Opening
February 08 - RSG
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still07
the wild blue yonder, the decent, la jetee, fearless, street fight, loud QUIET loud, a sound of thunder, enemy at the gate, so wrong they’re right, the illusionist, stop making sense, heart of gold, the departed, storefront hitchcock, my country, my county, requiem, the host, minority report, the good shepard, the last days, the last king of scotland, darshan, the embrace, flesh + blood, robo cop, hannibal rising, at worlds end, old joy, acid house, the last waltz, letters from imo jima, matthew barney - no restraint, high tech soul, blood and chocolate, the call of cthulha, star wars episode v - the empire strikes back, primeval, the good german, factory girl, 300, unbreakable, bug
sonic youth - corporate ghost, blood simple, miller’s crossing, undead, mouth of madness, roma, the thing, mr. brooks, spiderman 3, the lives of others, bloody child, b.i.k.e, gerry, good will hunting, live free or die hard, the king is alive, blood diamond, eastern promises, elephant
Take one image, without pausing the film, from each DVD I rent and watch alone in 2007. Show each of the 60 images for 1 second in 5.7 MB QuickTime movie.
still07
update
still 07 from mriver on Vimeo.
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Cya 07. Hello 08 
http://triptych.tv/
http://www.jimpunk.com/iPod.Movies/last_rain.php3
http://www.williamboling.com/peel/index.html
http://www.hotornot.com/r/?eid=RMN8NRH&key=GXC
http://transition.turbulence.org/Works/disco-nnect/
http://www.seecoy.com/matrYOshki.html
http://www.beigerecords.com/cory/sailing/
http://letsturnthisfuckingwebsiteyellow.com/
http://meineigenheim.org/dumpster/
http://www.loshadka.org/wp/?p=398
http://twitter.com/jennyholzer
http://www.ecoarttech.net/untitledlandscapes/index.html
http://thegreatinter.net/sleepover
http://www.peterpaulchocolates.com/
http://creativetime.org/programs/archive/2007/chan/events.html
http://the-eat-in.blogspot.com/
http://www.artcal.net/event/view/1/5808
http://www.timeout.com/newyork/articles/art/9470/marcel-broodthaers-decor
http://www.geartekcorporation.com/passingtime/
a big end of 07 hug to Postmasters, James and Barry, the mighty AFC (sorry about that “brawl”), Rhizome (congrats LC - the new digs look fab), iCommons, Haifa Museum, Computer Fine Arts, Enzimi, Glowlab/Conflux, the “All Night Roma” folks, Eyebeam, Creative Capital, C. Jones, Bryce Wolkowitz, RSG, MO, Mikey Koller, Kate (our unofficial super hypothetical and under, if not even, paid studio assistant) and all who came to the OTO. See you all in 08. We have 2 big museum shows in California next year and a great group of artist lined up for OTO.
Peace in 08.
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Mark River is out of here…
Going to Columbus for Christmas. I might try posting some in Ohio. Might.
t.whid adds:
I love this pic. Have fun in Ohio M.River.
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Photos from Mike Koller’s HOLIDAY REJECTS
“Naughty” and “Nice” slide show of found (Googled) holiday photos - faux mantel with projected Yule log loop and found (Googled) holiday photos - projected flash animation Christmas tree
Some more shots from the show at
Tinjail (start at link and scroll back) and at Flickr in the OTO set. Enjoy.
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It’s A Very Special Holiday OTO Tonight only (7- 10)
Mike Koller’s The Holiday Rejects
M.River of MTAA calls it “…a heart warming celebration of the holidays fueled by sugar, eggnog, and forced photo ops. What could go wrong?”
t.whid update
oops. Our posts collided. M.River’s is funnier.
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December at OTO - Mike Koller’s ‘THE HOLIDAY REJECTS’
One night only!
Friday December 14 7PM to 10PM
Over The Opening is pleased to present Mike Koller’s
THE HOLIDAY REJECTS
With the proliferation of video and photography equipment and even more so the availability and user-friendly nature of at-home post-production equipment and software, the do-it-yourself documentarian is a driving force behind all our familial interactions. The need to record, in detail, the various persons and their reactions to all the activities has increasingly become the chief activity itself. The time spent face to face becomes second to the execution of a thorough archive of the event. A smiling photo is more important than the argument it took to create it, the video containing each persons thoughts for the New Year takes precedent over the people themselves. In these ways the family becomes the discarded artifact of creating a visual history of events that are largely fictionalized or staged versions of an unknown third party’s expectations.
The Holiday Season, more than any other, creates a steady stream of videos and photos posted for all to see. Presented in a one night ‘X-mas Party’ format are the photos and videos from 69 different family celebrations in a tribute to the discarded persons who were pivotal to their creation, The Holiday Rejects. True to the season, the party will feature food, drink and music to set the mood. Also featured will be three new animated video projections of a Christmas tree, a window overlooking a wintry landscape and the inescapable Yule Log. Come, imbibe, document, post.
Mike Koller is an artist and musician living and working in Brooklyn.
Upcoming events at OTO:
Jan 11 - Elaine Tin Nyo
Feb 08 - RSG (Alex Galloway)
More OTO info and directions…
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back from the SS5K Roma 
Back from the SS5K ROMA. Loved it. I’ll have some updates soon. (Sorry T.Whid. I’m sad to say the lack of web updates and contact was not so much due to the great wine but lack of sleep and wifi. Shame really.)
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Time has come today (Hey)
T.Whid fixed the dates in the MTAA-RR archive
Yeah, I know. It’s been broke forever.
T.Whid update
It’s *mostly* fixed. There’s still some funkiness here and there. Especially in Feb 06 — bah!
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When in Rome…
MTAA´S Super Slow 5K - ROMA (SS5K Roma)
A leisurely 5K (3.11 mile) group performance around the city of Rome
Following the success of the Super Slow 5K at Brooklyn´s McCarren Park in September 07, MTAA brings the SS5K to Italy. The SS5K Roma is a one day race/group performance in the streets of Rome. Registration to the SS5K Roma is free and open to the public. It begins at 12PM in the Mattatoio in Testaccio and ends when it seems right or at 5PM, whichever comes first. Refreshments will be served, folding chairs and blankets will be utilized. The performance/race will be overly documented. “Celebrity” judges will be on hand to award trophies for “Best Dressed” as well as the coveted SS5K 07 “Mr. or Ms. Congeniality Roma.”
The Super Slow 5K Roma takes place on Sunday December 2nd, 2007 at 12PM to 5PM (rain or shine) and starts at Mattatoio di Testaciio at Campo Boario , Rome, Italy
MTAA´s SSK5 ROMA is part of
Enzimi 07
With thanks to Christina Ray and the fine folks at
Glowlab
For more info visit http://mtaa.net/art/slow/roma/
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“Performed Listening”
Photos from Olson’s “Performed Listening” now up at
OTO’s Flickr Set and at
Tintype
Thanks to all who made it out.
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MTAA-RR en LOLCATS Pidgin
thiz websiet containz information regardin artist mtaa
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Happy Halloween 
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James and Barry Live
Tonight at 6:30 ath the Cue Art Foundation - Brian Sholis, writer and Editor of Artforum.com at Artforum in conversation with bloggers Barry Hoggard (bloggy.com) and James Wagner (jameswagner.com)”
more info
here
Will not be able to go, but wanted to give some link props back to our 2 fav hybrid collectors/blogers/critics/curators/photographers/political activist/web gurus/and all around underdog art fans, James and Barry. Have fun guys.
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2 newish projects now up on Tinjail - Walk and Flight
still from Flight
still from Walk
“Flight” is video loop (x 4) of a wing over Ohio. It was first presented as a projection at
OTO’s Transporter Again
“Walk” is 2 videos, shot one year to the day apart, in the same location.
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OTO Pics 
Thanks to all who came out to the first OTO last night. Tons of fun. More Pics of the show now up on Flickr in the
OTO Set
and even more at
Tintype’s OTO Set
Update - 2 cool photos of the SGAR on Bloggy
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OTO starts Oct 12 (8pm to 11pm)
Over The Opening (OTO)
Please join us for the launch of our once a month DIY exhibition space.
60 North 6th Street, 2nd floor
Brooklyn, NY, 11211
L train to Bedford Avenue
3 Blocks west on North 6th - just shy of Kent
On the second Friday of each month, from 8PM to 11PM, the artist
collective MTAA convert their N6th St. Brooklyn studio into a venue for
the presentation of time-based art.
The OTO project begins on October 12 with “Again Transporter,” new works
by Michael Sarff.
still from Michael Sarff’s “Kingdom”, 2007
More details at
tinjail.com/over_the_opening
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SS5K Post Event Report
MTAA’s Super Slow 5K
I’ve been thinking of how to sum up the SS5K. I have to say it has been hard to shape the event into a solid thought. I felt the urge to retell the performance/ action in some solid documentation narrative. I think I’ll let that go. I’ll let that others tell the story at some other time. All I would like to say is that a very small group got together one afternoon and performed the SS5K and that, in the end; everyone said it was a wonderful afternoon. You can view some images
here.
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SS5K Post Mortem…Soon
Keeping with the overall pace of the SS5K, I’m still working on a final report and set of images. Until then, here is a shot of Kate - winner of the SS5K best dressed trophy.
More on the SS5K soon…
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Update on this Sunday’s SS5K
It’s less than a week until the start of the
Super Slow 5K.
I hope you have all been training. As an incentive for participation, we would like to unveil the SS5K limited edition print (edition of 100). Free if you come run, walk, stroll or just hang out.
twhid update:
Here’s a closer look at the limited edition bib/print:
(click for larger image 348KB JPEG)
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The Internet: A place for friends
Popkin on
The Great Internet Sleepover
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new .mov at Tinjail
Auto Car Wash
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MTAA’s Super Slow 5K!
MTAA’s Super Slow 5K!
a leisurely 5K (3.11 mile) group performance around McCarren Park’s running track
I’ve read on marathon training web sites, that one can walk 5 kilometers (3.11 miles) at an “easy pace” in 62.5 minutes. I’d like to slow that down a tad. I’d like to slow it down with a group of like-minded noncompetitive “athletes”. I want to race with people who are ready to say - “I’ll finish this 5K when I darn well feel like it and only after I stop by the official MTAA Super Slow 5K refreshment stand for another hotdog”. That’s the race I want to run.
The MTAA Super Slow 5K is a one day race/group performance on the running track in Brooklyn’s McCarren Park. Registration to the SS5K is free and open to the public. It begins at 11AM and ends when it seems right or 4PM, whichever comes first. Refreshments will be served, folding chairs and blankets will be utilized. The performance/race will be overly documented. “Celebrity” judges will be on hand to award trophies for “Best Dressed” as well as the coveted SS5K 07 “Mr. or Ms. Congeniality”.
When?
Sunday September 16th, 2007 from 11AM - 4PM (rain or shine)
Where?
Williamsburg Brooklyn’s McCarren Park
(map)
Registration?
Email superslow5K@gmail.com or just show up around 10:30AM the day of. Free and open to the public!
More details at:
http://mtaa.net/art/slow/.
MTAA’s SSK5 is part of Conflux 07
www.confluxfestival.org
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twhid update
We promise that it won’t be like this (Hipster Olympics via Gothamist):
mriver adds
Dang. LOL.
Yeah, it will kinda be like that but done with love and actual effort. Also, as of this morning, we have 0 people signed up so I might be running alone.
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YouTube Bye Bye
Just when I was starting to think about ways to use YouTube more as a site for artworks, Google decideds to go with
overlay video ads
Ick. Time to find a new vid site.
twhid adds:
YouTube has always sucked for a variety of reasons. The only thing it has going for it is a huge audience. But video quality sucks and their little bug in the bottom right sucks.
I suggest Blip.tv!
mriver adds:
Yeah, yeah. I understand they do not have plans at this point to slap ads on my little home movies/ artworks - but still… it’s time for me to move.
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Turn That Damn Sculpture Down!
Sonic “glare” is
good.
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T.Whid Week - Art Blog Party
T.Whid sums up a fun Art Blogger cocktail party host by Edward Winkleman at his gallery
Yes, he had a few.
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OMG! UR totally dead!!!!
msnbc.com’s netiquette guru Popkin (and MTAA style council) on Cory Arcangel’s “Friendster Suicide” and MyDeathSpace.com
Check it
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T.Whid Week - Anti War
T.Whid marching for peace.
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MTAA at Cape Town’s AVA
We are showing onKawaraUpdate (v2) in
“3C - Committee and Critics Choice”
at the AVA in Cape Town South Africa from July 30 to August 17 2007.
Big thanks to Kathryn Smith for the show.
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T.Whid Week - Barney Opening
T.Whid’s first take on the show outside the mob scene of Barney’s DR9 opening.
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T.Whid Week - Art Fairs
Yes, once again T.Whid has foolishly gone off on vacation leaving the MTAA-RR for me to screw up. So, for the next 7 days, I’m going to post some of my favorite clips of T.Whid. I think of them as an ongoing set/ movie called “Hey, Tim”. To start off, here is Tim on art fairs. I hope you will enjoy them.
twhid adds… on vacation, but found an open wireless network at this little lake side cottage-ville in Ohio. w00t!
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the summer 07 lull report - part 2
tinjail’s jailhouse online cinema presents
the east coast west coast dance off
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CHASING THE NEW IS DANGEROUS TO SOCIETY
Yes, it could be a fake, but Jenny on Twitter is a great mesh of a social network and art. (via AFC)
This, however, does not change my ambivalence about Twitter best summed up by Helen A.S. Popkin’s article Twitter Nation: Nobody cares what you’re doing.
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The Summer 07 Lull Report - Part 1
Yes, things are slow right now. This is the last weekend to see KDM100 and 25 Reasons at Postmasters. Please check it out.
Next up, on September 16, we will present new performance/ event called MTAA’s Super Slow 5 K. This is a leisurely 5k (3.11 mile) group artwork/ 5k race / 5 hour picnic around McCarren Park’s running track in Williamsburg Brooklyn. This work is part of Conflux 07. It should be a hoot. More details soon.
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New Media Art in the Daylight?
Yup, it can happen. If you are in NYC this weekend, check out Solar One’s
City Sol 07 located at 23street next to the East river featuring the Frontier Mythology installation by our palls
Cary Peppermint + Christine Nadir (EcoArtTech)
Need more reasons to go?
I’ll have some pics from the Thurs night opening up soon.
Update:
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summer movs
disco-nnect E4sy scr4t(hN’
fun
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at Eyebeam
MTAA +RSG’s Gordon Matta-Clark Encryption Method (GMCEM)
In fall of 2002, RSG gathered 500 printed pages (1 ream) of data from MTAA
using the Carnivore client installed at the Eyebeam’s studios. Each 8.5 x
11 sheet of paper was then torn in half and stacked in a plexi box
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at Postmasters
There’s a slideshow of some of the work in Not Your Parents’ MTV on New York Magazine’s web site :-) Woohoo!
M.River took the snaps below, there’s more at his Tintype blog…
Karaoke DeathMatch 100 (2007, video, software, web site, computers, benches, desk)
25 Concrete Examples Why John Cage Is Not Our Father (2001, DVD-Video loop)
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new summer .movs
2 new slooooooooo loadin browser crashin summer .movs at tinjail.com/jailhouse
garden and
fun
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The Amateur’s hour
By undermining mainstream media and intellectual property rights, he says, it is creating a world in which we will “live to see the bulk of our music coming from amateur garage bands, our movies and television from glorified YouTubes, and our news made up of hyperactive celebrity gossip, served up as mere dressing for advertising.” This is what happens, he suggests, “when ignorance meets egoism meets bad taste meets mob rule.”
NYT Review “The Cult of the Amateur”
I love garage bands. I feel that some of the best American music, blues, jazz, hip-hop, punk, flows from some “amateurs” sitting around in a garage/shack/public housing party/ dive bar making and sharing music. The net is making the “garage/shack/public housing party/ dive bar” larger. Here is to the unwashed.
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your future leader and or myspace pal
“When do you hang with an old dude online? When he’s running for office!”
MTAA’s fav avatar/ netiquette journalist rates the presidential candidates myspace profiles.
Ha ha…
Democrats
Republicans
Third Party candidates
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AIOTD – MTAA Self Portrait as Black Bears
In a dream last night, I went to an opening as a black bear. I spent most of the opening sitting on the floor drinking a beer. I swear if MTAA ever has a solo show again, I will make this dream come true
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AFC on AHH
AFC’s review of the
Art Happens Here exhibition
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MTAA – weekend posting note
With T.Whid at the iSummit in Croatia and me Camping at Watch Hill, MTAA is totally out of the office this weekend. It’s summer. Go outside. Last one off the net, please turn off the lights.
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Hunting for that ship
Here is my CC art story of a project that seems to be somehow cursed.
The ship that I have been using for the project came from an image Joy tossed into the
iCommonsair Pool
Joy had been posting images of old ships from Croatia. I think she was considering using some of the images for an artwork. Last night, after posting the last image for my project, as I sat in bed, I thought “I bet that ship is not old and I bet it has a copyright on it…shit.
Here is the ship’s trail. The image was taken from
Cao Fei’s blog Cao Fei is one of the iCommons Artist in Residence. Cao Fei seem to have got it from the
Cape Farewell Project “Art and Climate Change” who picked it up from an artist named
David Buckland
“David Buckland is a designer, artist and film-maker whose lens-based works have been exhibited in numerous galleries in London, Paris and New York and collected by the National Portrait Gallery, London, the Centre Georges Pompidou, Paris, the Metropolitan Museum, New York and the Getty Collection, Los Angeles amongst others.”
more of his bio here
So now, I’m going to email David Buckland to see if I can use his image for non-commercial project. This is, in the end, what CC is all about. Not doing what I’m doing.
I’ll update if I hear from him.
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10 iCSAFGM images
I finished up my 10 iCSAFGM images last night and tossed a CC license on them via Flicker. You can see the set at Tintype. I still need to do a bit of research on the ship image I picked up from Joy but in general and place some credits on, but it’s almost done.
update: they can alos be found on flickr tagged
icsafgm
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Dubrovnik.
As I’ve been making new photoshoped images from the commons Summit AiR Flickr group (iCSAFGM), I have been using the “C” of the creative commons license “CC” as a design element. I have also used mirroring as a element. In my mind, when we use images or content from another source we do not reproduce it but renders it in a new way, much like a mirror reflexes back an image but also changes the image.
So, as part of this project, I’ve been flipping the “C” around and doubling it within the images. Tim sent me an email this morning with a strange fact.
“According to the Croats here… the 4 Cs all pointing outward… is a
symbol of greater Serbia and is a bit of a local swastika since the
serbs attacked Croatia during the Balkan war.”
“It’s not an exact duplicate of the symbol but was close enough that
a local artist was kinda freaked to see it… should we delete
it from the blog?”
So, I cut two images off the blog. I send my best thoughts of peace and respect to the city of Dubrovnik.
As for the project, I’ll put some more up tonight (sans 4 Cs). I might move the project over to my photo blog (tinjail.com/tintype) to give it more space. I’d like to get a good set of 10 done before Firday.
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iCSAFGM 5
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iCSAFGM 3
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iCSAFGM 2
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iCommons Summit AiR Flickr group mixr (iCSAFGM)
So, I’ve been thinking. As I’m stuck in New York at work, how can I add anything to the iCommons Summit? Answer - a bad photo shopped jpegs mix project taken from the iCommons AiR Flickr group. Ummmmm…rad. If ya want to toss one in as well, send a link.
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dc
dc
Dubrovnik, Croatia
twhid update
snapshot from my room’s terrace… gorgeous! click for a larger image…
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Where is T.Whid 
jellomix
After a crushing defeat in the Karaoke Death Match 100, T.Whid has fled the country to represent MTAA at the
iCommons Summit 07
June 15 to June 17 in
Dubrovnik, Croatia
As well as participating in the summit, MTAA and a group of fellow artist will be mounting an exhibition in Dubrovnik and in Second Life. More details soon.
Yes, some artist will be going to Venice , Münster or Basel this summer to show art to the artworld. MTAA will be in Dubrovnik trying, in some small way, to change the way the artworld works.
more on the GMCEM
Photo
of the
GMCEM as it was installed at Eyebeam.
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RSG + MTAA’s GMCEM (2002)
I went over to Eyebeam on Monday to install GMCEM as part of RSG’s Carnivore section of the 10 Year Anniversary show (part 1 of 3). Looks like it will be a good show. Sounds like it opens on Thursday.
The Gordon Matta-Clark Encryption Method (GMCEM)
In fall of 2002, RSG gathered 500 printed pages (1 ream) of data from MTAA
using the Carnivore client installed at the Eyebeam’s studios. Each 8.5 x
11 sheet of paper was then encrypted by tearing each sheet of paper in
half and then sealing the two stacks within a plexi glass display. This
lo-fi data encryption attempts to fuse the minimal aesthetics of Gordon
Matta-Clark’s cut paper stacks from the 70’s with Patriot Act surveillance
of the early 00’s.
Here is a photo of the top of the GMCEM on the studio floor. I hope to get a good install shot when the show opens.
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idol art
First came
Marisa Olson , now
Sanjaya is a AI performance artist.
(Yeah…I do not know if this is “real” or not)
In other bad Karaoke performance art news… you can still vote M.River, in round 39 of the
KDM100. I’m doing Marilyn Monroe doing Happy Birthday.
Please.
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Drunken Pirate Photos…
or Why the KDM100 Will Come Back to Haunt Us
MTAA’s fav netiquette guru, Helen A.S. Popkin, advises us today to
“cap Myspace in the back of the head…”
Will do.
twhid adds: Just for the hell of it… Help! we’re being held hostage by a chinese web site!
Via Google translation:
Year, they are in front of the camera. […] They are not actors, the only real show for his life in the cabin. […] Never left our sight. […] Who are they? Why sacrificed privacy 24H watch from being the world?#
Nano Corp. as MTAA
More on
Being MTAA, just for a day from
nano_CORPORATION
twhid adds: Those photos are great! LOL. I was confused at first — couldn’t find the photos — the nano_Corp’s photos are here.
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What am I doing right now?
Posting about Popkin on
Twitter
twhid adds: hahahahaha
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bold face names
Rhiz party in AFD
Good lord everyone looks cute.
twhid adds…
Damn! Missed the society pages AGAIN! Gar!
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my long lost brother with hair
rock on mark river
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tinjail movs - part 5
Uke(LOCU)
a slow loading browser crasher
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disco-nnect
jimpunk’s silver.river
thx jp - from all us bald dudes (;)
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tinjail net.mov - part 4
Dante (aka the Unscary Movie)
For the most part it’s black video with someone screaming…but in a funny way. A cut of this film was first shown in a screening at EFA’s gallery. Turn off the lights, sit back and scream along.
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note from nano-corp. 
Inspired by your work I built an “update” of roman opalka’s work using the myspace interface. It has been online for 2 weeks, about 30 contributions have already been posted. I would love to have your feedback on this project. You can see it at:
opalka_update
nano_CO.PRESIDENT
nano-corp
mtaa feedback = rock on nano corp.
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new tinjail net.mov - part 3
In 2006, I rented and watched 76 DVDs. Each DVD, viewed alone, at night, at my kitchen table, was photographed without pause while playing. One image for each DVD was then placed on the Tintype blog under the category
DVD Still Project 06.
A looping slide show, using the ever poplar and ever sad “Ken Burns Effect”, joins the images together as the final document of the work.
DVD Still Project 06, the Movie
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attention interwebites
for those about to
disco-nnect, we (of MTAA) salute you
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Ten Years Ago? Fuck…
Port at MIT
MTAA’s first online artwork Buying Time
twhid adds:
We’ve been net artists for 10 years… crazy!
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new tinjail net.mov - part 2
wings
Here is the second in a set of new works at Tinjail. Enjoy.
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new tinjail net.mov
kingdom
two quicktime palindrome loops of watching a parade pass by and passing by a museum. this is the first in a set of small new works at tinjail under the title net.mov
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from a land down under (myspace)
Once upon a time, I made a site for MTAA on mysapce. (Yeah, I know, I know.) Then, a person named “Penny” from Australia asked to be MTAA’s friend. So I, of course, said, “Yes”. Then she asked if I wanted to be part of a chain of email performances. So I, of course, said, “Yes”. (Yeah, I know, I know.) This is where it gets a bit complicated but stay with me. Penney made a list of performers. The person above MTAA name was to send us an artwork and the person below our name was to get an artwork. Now, the person above our name was Emily. Emily emailed that she thought that email was a bit impersonal (or at least I think that was what she thought), She asked if she could mail us some art. So I, of course, said, “Yes”. Today, in the mail, came
Emily’s first project.
Wonderful right? If we get another one, I’ll post it on the blog as well.
Now, as for sending an artwork, the person we got was Penny (who, you’ll remember, also started the project.) What did we send her? We sent her a set of instructions for a performance on how to be “MTAA” that, if she completed and documented, would be the artwork. (Yeah, I know. I know.) Anyways, here is what we sent her:
Being MTAA, Just for one Day
To Be Performed by
Penny Spankie
Dress in a black t-shirt, blue jeans, black boots, and a black belt. Perform any or all of the following artworks/ actions. Each performance attempted should be documented with 2 photographs or 2 short videos.
1. lying propped up in bed
2. checking your hair in a mirror
3. tossing a paper airplane out of a window
4. pointing at public sculpture
5. jumping over things on the street.
6. holding an open umbrella inside your home.
7. listening to music with headphones on.
8. drinking a beer not in a bar
So, guess what? She wrote back with this documentation of choice #2 (Checking your hair in the mirror)
Reply Video - for MTAA - Email Art - RCW
Perfect.
So, If we get any more email myspace art, you’ll see it here. That’s all for now. Thanks Emily and Penney.
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take a hike
and we now bid a fond found farewell to embed art week at the MTAA-RR
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feast
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diawarhol
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friday dance party at mtaa-rr’s embed art week…
I went to see Cory and Hanne give a talk last night on art and the net. The talk, at some point, involved placing artist names into YouTube searches. So, of course, I placed “mtaa, art” into YouTube this morning and got the following top result…
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cory’s blue tube
“Embed Art Week” rolls on here at the MTAA-RR with Cory’s “Blue Tube”. Sly.
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jellyfish
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Jean Baudrillard
got the word from Rick…
Baudrillard dead at 77
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momadriveby
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t.whid’s away…
T.Whid is out on the West cost for the rest of the week. Here is another embed movie while he’s away.
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dull wing
Now that it has become embed movie week here at the MTAA-RR…enjoy.
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duchamp
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stone cold busted
Yes, for the record, I am Dannielynn Hope Marshall Stern’s father and I don’t want to talk about it. Period.
twhid chimes in:
and you’re a “broke-ass Brooklyn artist” — hahahahahahahaha
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time for a pop quiz…
Here are some questions that MTAA needs to think about for a new performance/ video thing (just thought I’d share):
What do you regard as the lowest depth of misery?
Where would you like to live?
What is your idea of earthly happiness?
To what faults do you feel most indulgent?
Who are your favorite heroes of fiction?
Who are your favorite characters in history?
Who are your favorite heroines in real life?
Who are your favorite heroines of fiction?
Your favorite painter?
Your favorite musician?
The quality you most admire in a man?
The quality you most admire in a woman?
Your favorite virtue?
Your favorite occupation?
Who would you have liked to be?
Your most marked characteristic?
What do you most value in your friends?
What is your principle defect?
What is your dream of happiness?
What to your mind would be the greatest of misfortunes?
What would you like to be?
In what country would you like to live?
What is your favorite color?
What is your favorite flower?
What is your favorite bird?
Who are your favorite prose writers?
Who are your favoite poets?
Who are your heroes in real life?
What are your favorite names?
What is it you most dislike?
What historical figures do you most despise?
What event in military history do you most admire?
What reform do you most admire?
What natural gift would you most like to possess?
How would you like to die?
What is your present state of mind?
To what faults do you feel most indulgent?
What is your motto?
From The Infamous Proust Questionn