Back in 2004, MTAA launched the 1 year peformance video (1ypv). A few months ago the finish sequence became buggy (AKA stopped working) due to ‘undiagnosed server configuration issues’ (yeah, yeah MTAA — excuses, excuses). Although this has been a drag (mostly for T.Whid, all I do is ask Zoolander-like questions, “You mean the files are IN the computer?”) it has given me a chance to chat with a recent 1ypv Hall of Famer named Blake. Up until now, I’ve more or less avoided contact with 1ypv viewers. The silence is for no other reason than the fact that automation is an important part of the work. The wall came down when Blake and a few other recent Hall of Famers contacted us about the bug. It seemed like a good time to ask some basic questions of someone who felt the need to watch T.Whid and I sit around for a year. Following is a brief Q and A with an actual 1ypv survivor. Warning: 1ypv spoilers ahead!

M.River - So, how was the work?

Blake - Honestly, I found it amusing on a few levels: me actually looking at it for lengths of time (more on that with the next answer), the fact of timing it so one sees certain “time appropriate” sequences, (dark at night, etc), and the overall idea of someone (you folks) actually putting the “success” of the execution on the viewer.

MR - What made you decide to attempt a year with it?

B - I thought it was a fun idea; that seems so “unartistic” a response, but hey, that’s the truth of it. I liked the idea of committing myself to something like this (even if passively) for a year just to see if I’d remember to do it.

MR - How did you do it? I mean did you just turn on an old laptop, stick it on a shelf and check back in a year? I think that’s how I’d try it.

B - At first I turned it on everyday at work and let it run for the 8 hour day, checking here and there. off and on (probably for the first half of my viewing) I’d forget a day or two and come back to it. Then, when I decided to quit my job I started running it 24 hours a day in the background, and I was excited when the screens would “buffer” for hours because then I could listen to music without the sounds of the piece. The last 20 or so days were run almost nonstop on my laptop, but I’d take breaks for fear of overheating (I obviously wasn’t concerned with the work computer…ha!). When I realized I could time it to Marilyn’s death date, I started getting strict about keeping stuff running. Also, for the latter half, I’d sometimes watch for 15 or so minutes at specific intervals just to see what loops came up (tossing the wallet and toilet paper rolls were probably my favorites, why I don’t know…)

MR - Is your understanding of the work different after a year than what you expected? I mean, was doing the project different than understanding the project?

B - Well, I liked the ideas behind Tehching Hsieh’s year art, and I knew that since I was only seeing recorded loops (and not even “watching” the whole thing for an entire year) I wasn’t expecting some revelation at the end. I have thought more about time / duration and what delineates art from life (I know, gettin’ arty again), but overall, I am down with the idea of having gotten my name on the wall, as it were. Oh yeah, as a side note, I was kinda hoping that the last minute would have been yet another pre-determined / triggered loop so that no matter what time it was it switched to a sequence where you both approached the camera (breaking the 4th wall / 4th computer screen) to say “congratulations” and then blackout, but at the same time it was almost better that the time just kept rolling as if to say “it’s been a year; so what? think about ~that~, pal!” permanent link to this post