Nov 29, 2015
posted at 23:25 GMT by M.River in /news/mriver
On Sunday December 6 from 4 to 6 pm, as part of the Approaching −273.15° C exhibition at academic in LIC , MTAA will perform the 2/1 section of Music4Music4Airports (M4M4A) . This section focuses on LGA in Queens.
Along with MTAA’s M4M4A , the afternoon will have live works by C∆N-D, Lo Vid, and Raphaele Shirley.
Academic 47-39 35th St, Long Island City, New York 11101 permanent link to this post
Nov 18, 2015
posted at 13:26 GMT by M.River in /news/mriver
Live capture of four online surfing sessions combining the tracks of Brian Eno’s Music for Airports with explorations of Paris Orly via Google Earth, Cologne Bonn via web cams, LGA via Google image search and JFK Airport via youTube
M4M4A was first show at #yaminyc 2015 at the Knockdown Center in a tent on a space blanket with audio run trough a guitar distortion pedal.
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Nov 15, 2015
posted at 17:13 GMT by M.River in /news/mriver
As part of the Approaching −273.15° C at academic , I made a small book documenting a series of performance based artworks by Marcy Chevali created Mexico. The book includes a interview with Chevali, a set of color images and a short essay I wrote on one of the images. The essay is titled “Looking at a photograph of a line drawn by Marcy Chevali into the shore of La Manzanilla.” and begins with…
I would like to tell you, as much as I can, about a photograph. I will tell you almost everything I can discern from the exterior of the image across the perimeter towards a center. Everything I tell you may not be accurate but I will try my best.
Paperback: 32 pages
Product Dimensions: 0.1 x 6 x 9 inches
$9.25 + shipping at Amazon.com permanent link to this post
Nov 01, 2015
posted at 23:41 GMT by M.River in /news/mriver
Image - Marcy Chevali - Cirrus (detail), 2015
47-39 35th Street, #2
Long Island City, NY 11101
Approaching −273.15° C
Keith Anderson, Marcy Chevali, James Cullinane, Daniela Kostova and Raphaele Shirley. Curated by Michael Sarff of Over the Opening (OTO)
November 13 to December 12, 2015
Opening reception Friday November 13, 2015 from 6 to 9 pm
Approaching −273.15° C (Live) - an afternoon of performance work and video with C∆N-D, LoVid, MTAA and Raphaele Shirley. Sunday December 6, 2015 from 4-6 pm
Absolute zero (−273.15° Celsius or 0°on the Kelvin scale) is the temperature at which all motion in matter stops. Until very recently this state of perfect stillness and corresponding order was thought to be unreachable. For the exhibition Approaching −273.15° C at academic from November 13 to December 12, 2015, Keith Anderson, Marcy Chevali, James Cullinane, Daniela Kostova and Raphaele Shirley create art in regions that move from active and chaotic towards an ever distant ideal of rest and symmetry. Contained within the metaphors and physicality of this approach, the artist point towards a space that operates just before a perfect cold. It is in this endless state of almost null, the artworks in Approaching −273.15° C float suspended between transformation and resolution.
For the exhibition, Keith Anderson masks out the industrial windows of Academic’s gallery with a detailed installation using black archival tape. Paired against the window installation, titled For Nico, because………………. Anderson presents a sculpture titled In this Box from 2012. The work consists of a mid sized cardboard box displayed open at the top sitting on the floor. The cardboard is completely encased with paint mixed with dry pigment over asphalt saturated cotton fabric commonly used in roofing. As the window installation uses the film of black tape to shutter light and space, the tar paper of the box works in an opposite track by defining a void.
Marcy Chevali installs a group of ethereal nets pulled floor to ceiling. The nets, made of flameworked glass joined to stands of fiber, compress both inward and expand out against the room’s limits. This installation of nets, titled Cirrus, is accompanied by a set of photographs capturing actions performed by Chevali in the landscape of Mexico in 2014. In these actions, titled Circumference, Chevali kneels face down and outlines the space around her as far as her arms can reach. She then waits as wind and water erase the line. In both bodies of work, Chevali sets line and material in active adaption against a bounded space.
In two ink on gesso works, Casement and Portal from 2015, James Cullinane fills a white ground with a methodical system of black lines and points. The resulting image, formed with an internal method of production, pushes at the edges of the doorway sized panels and fills the interior with a near universe of pattern and movement. As with Chevali work, verging edge conditions and the space between provide tension in movement and ideal.
In her recent series of works, Daniela Kostova documents the raising of her daughter Vega. Kostova’s photographic images of Vega’s exploration, adventure and rest are then enlarged and outputted as PVC banners or wallpaper. These large scale skins are adhered to vernacular architecture in a way that brings the images into an active connection to a site. The work jumps from the intimate scale of home and learning to the public scope of industry and commerce. For Approaching −273.15° C, Kostova present images of Vega’s time with her babysitter who is the activist and model Rain Dove.
A set of small gray metal arches are stacked on a black mirrored sheet in Raphaele Shirley’s artwork titled Cracked Arena, 2014. The arches, placed in descending size, are held cantilevered by gravity. The joined arches build two half domes around a darkened center. Echoing this stepped dome structure, a second work, Untitled, 2015 is built of concentric wood rings. The rings expand in diameter outward to build a shallow bowl shape. As the metal arches of Cracked Arena weigh downwards to enclose a space in shadow, the rings of wood inversely are propelled off the white wall by a circle of neon light. This light is amplified by the reflection from the surface of gold leaf partially concealed behind the wood surface. Light, both in absence and abundance, pushes against the ripple-like solid structures of the two works.
About Over The Opening (OTO) - In the fall of 2007, the artist collaboration MTAA (Michael Sarff and Tim Whidden) began to invite artists and art collectives to present one-night exhibitions of time based art in their Brooklyn, New York studio. The monthly event titled Over The Opening (OTO) operated as a blurring of studio space, exhibition venue and curatorial experiment. OTO presented a diverse range of art practices including endurance performance, net art, participatory events, conceptual lectures, as well as painting, installation and sculpture. In December 2009, after 24 exhibitions, OTO morphed from monthly one night event to a nomadic curatorial umbrella.
OTO Contact: Michael Sarff - michaelsarff [at] gmail [dot]com
Marcy Chevali’s project, Cirrus, is made possible in part by the Queens Council on the Arts with public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional support provided by Urban Glass.
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Aug 27, 2015
posted at 12:22 GMT by M.River in /news/mriver
image - Untitled (141729406) set of 4 5x7in. prints, ed. 15+2AP titled & signed greg.org from Greg Allen’s eBay Test Listings
Over The Opening (OTO) @ the Internet Yami-ichi (Internet Black Market)
for immediate release
On September 12, 2015 from 12 - 8pm, Over The Opening (OTO) will take part in the Internet Yami-ichi (Internet Black Market) at Knockdown Center, 52-19 Flushing Ave, Maspeth, NY 11378. The Internet Yami-ichi is a free to attend flea market Internet-ish items.
For the event, OTO presents some general “Interneti-sh” merch proudly displayed on a brightly colored beach blanket featuring works by Greg Allen, G.H. Hovagimyan, Yael Kanarek, Raphaele Shirley and MTAA.
For the event, MTAA produces a handsome set of Physical Bookmarks for Vintage Net Art Created Before Facebook (BF-2004). G.H. Hovagimyan displays two rare and slightly used Silent Memorial Shirts from an Artists Meeting performance circa 2008 (as seen on youTube). Yael Kanarek arranges envelopes with IRL Love Letters and Treasure Crumb Capsules from her classic online artwork World of Awe. Raphaele Shirley downloads jpegs of the adorable yet world-wide-mass-extinction-survivor-tough Tardigrades (aka Waterbears or Moss Piglets) straight from Wikipedia to dishwasher safe flatware. Greg Allen brings his print on demand classics, Canal Zone Richard Prince YES RASTA 2:The Appeals Court Decision, plus the Court’s Complete Illustrated Appendix (2013) and Canal Zone Richard Prince YES RASTA: Selected Court Documents from Cariou v. Prince (2011) as well as a lovely selection of local pickup only *eBay Test Listing* prints
And, as an added bonus, OTO will hold a tent sale featuring the premiere of a new work by Michael Sarff. This new work, titled Music 4 Music 4 Airports, combines the soothing ambient sounds of Brian Eno’s groundbreaking 1978 album - Ambient 1 - Music for Airports with the thrill of live captured internet surfing of LGA, JFK, Paris Orly and Cologne Bonn Airport websites.
Background on OTO - In the fall of 2007, the artist collaboration MTAA began to invite artists and art collectives to present one-night exhibitions of time based art in their Brooklyn, New York studio. The monthly event titled Over The Opening (OTO) operated as a blurring of studio space, exhibition venue and curatorial experiment. OTO presented a diverse range of art practices including endurance performance, net art, participatory events, conceptual lectures, as well as painting, installation and sculpture. In December 2009, after 24 exhibitions, OTO morphed from monthly one night event to a nomadic curatorial umbrella.
Contact - Mark River - firstname.lastname@example.org
Update - Some press at…
and some photos
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Jun 03, 2015
posted at 11:53 GMT by M.River in /news/mriver
Ventana244 Gallery June 6 - 5-6pm 244 North 6th Street Brooklyn NY, 11211 www.ventana244.org
As part of the Torched & Scorched installation at Ventana244, the artist MTAA and Raphaele Shirley presents two live performances in the gallery starting at 5pm on June 6, 2015
This event begins with MTAA’s Vernacular Alien World Drawing Championship II. In 2009, MTAA presented the world’s first Vernacular Alien World Drawing Championship in the Electronic Gallery at Salisbury University, Maryland. Six years later MTAA brings all the excitement and thrills of competitive alien drawing to Brooklyn for a one night 30 minute no holds barred melee. Prizes will be awarded and beer consumed.
Following MTAA’s participatory performance, Raphaele Shirley present a 20 minute immersive audio visual environment titled Blue line, running man, spinning circle. First performed at Postmasters gallery in 2011 and again at the Outpost Artist Resources in 2013, this work extends Shirley’s light sculpture series into a performative realm, building an immersive audio and visual environment that includes a rotating video projection-house, fog, water mist and improvised live sound by Laura Ortman on violin and Lynn Wright on guitar.
Both performances are free and open to the public. The exhibition Torched & Scorched with work by Ana Busto, Yifan Hu, MTAA and Raphaele Shirley continues through June 21, 2015. permanent link to this post
May 19, 2015
posted at 16:22 GMT by M.River in /news/mriver
Apr 21, 2015
posted at 12:14 GMT by M.River in /news/mriver
Main road through White Sands National Monument in New Mexico - Stratosphere + MTAA, 2009/2015
Torched & Scorched
Ana Busto, Yifan Hu, MTAA, Raphaele Shirley
May 15 to June 21, 2015
Opening of Exhibition: Friday May 22 from 6-9 pm
Viewing hours: Thursday 5-7 pm, Friday 2-7 pm, Saturday–Sunday 12-6 pm
Torched & Scorched performance with Yifan Hu, MTAA and Raphaele Shirley, Saturday June 6, 5-6 pm
Ventana 244 presents Torched & Scorched a multi-media installation assembled with interactive and traditional formats including painting, sculpture and sound.
Drive away from Brooklyn, past the skyscrapers of Manhattan, past the swamps, factories, farms and parking lots of New Jersey and Pennsylvania to the highways and suburbs of Virginia, over into Tennessee, crossing the Mississippi via Memphis into Arkansas, and then cross the flats of Oklahoma going on to the expanses of West Texas. If you travel this far, the sky opens up. You see the sun and moon beat down on the earth with punishing, bright light. Keep going west, and you find yourself in the mountain-ringed Tularosa Basin among the gypsum crystal dunes of the White Sands National Monument of New Mexico. This landscape is where our age, the nuclear age and natural history commingled in a flash.
Two thousand miles east in Brooklyn, Ventana 244 presents Torched & Scorched opening on May 15 featuring a collaboration by Ana Busto, Yifan Hu, MTAA and Raphaele Shirley. Torched & Scorched integrates a visual and audio environment with conversations about the emotional weight of the landscape that today is a tourist attraction open to the public twice a year; a place where, for a few dollars, people can buy a chunk of irradiated earth that was melted to glass by the blasts of 60 years ago.
Using combustion as a primary working process, Ana Busto approaches core materials of iron, clay, bronze, wood, sand, glass, cardboard and stone as theaters for transformation. For Torched & Scorched she presents elements of a down-on-the-heels park: landscapes painted, cast glass, and ceramic and wood. In Busto’s work, stones look like animals or animals turned to stone. Shapes appear and speak from electronic driven voices.
With Busto’s sculpture as a starting point, Yifan Hu, mixes found and computer processed animal voices to create an audio landscape for Torched & Scorched As the voices cross, overlap and diverge, the boundaries between the identifiability and nonidentifiability come in and out of focus.
For Torched & Scorched, Raphaele Shirley built the fourth of recent series of large scale paint and neon installations. This new orb shaped work, blistering white light and golden skin is set in a dark expanse. In this series Shirley merges differing representations of cosmology generated throughout the ages in both Eastern and Western traditions filtered through the language of post minimal and process based art.
In a set of works titled New Mexico Setlist, MTAA overlays a second exhibition onto the gallery space. Made of text routed onto vinyl backgrounds, MTAA names artist and artworks intertwined with the New Mexico landscape. Combined, the six small works of the New Mexico Setlist create an art historical mixed tape for our wandering through the West as well as provides some background and mind-eye context for the Torch / Scorch installation. permanent link to this post
Apr 18, 2015
posted at 14:03 GMT by M.River in /news/mriver
Two black felt hats painted black inside hung by a thread
$600, edition of 1 of 2
permanent link to this post
posted at 13:52 GMT by M.River in /news/mriver
set of four 6”x 8” machine etched black vinyl with white core signs 100 usd each. no edition.
permanent link to this post
Feb 22, 2015
posted at 13:40 GMT by M.River in /news/mriver
Radiator Arts 10-61 Jackson Ave, LIC, New York 11106 Tel: 347.677.3418 Email: email@example.com www.radiatorarts.com
Ensign Sgr A* March 6 - April 10, 2015 Opening: Friday, March 6, 2015, 6:00 pm - 9:00 pm Gallery Hours: Friday, Saturday and Sunday, 1:00 pm - 6:00 pm and by appointment Sgr A* Live Music and Film with Aviram Cohen, MTAA and more - Saturday, March 28, 2:00 pm - 4:00 pm
Artists: Amelia Bauer, Joianne Bittle, Aviram Cohen, G.H. Hovagimyan, Nicholas Knight, Esperanza Mayobre, Jennifer and Kevin McCoy, MTAA, Shannon Sberna, Raphaele Shirely, Janice Sloane, Colleen Rae Smiley, with exhibition graphic by Charles Orr and OTO. Curated by Over The Opening (OTO)
Every 365.25 days, the Earth revolves once around a star we call the Sun. Approximately every 225 million years, the Sun revolves around Sgr A* (pronounced “Sagittarius A-star”) which presides at the center of our Milky Way Galaxy. It is now theorized that Sgr A* is not actually a star but a supermassive black hole that is currently eating planets, stars, light and even smaller black holes. Of course, the thought of an unseeable thing / dimensional portal actively swallowing our galaxy is keeping me awake some nights.
Meanwhile back in Long Island City, Radiator Arts and Over The Opening (OTO) are pleased to present Ensign Sgr A* featuring artist using negation and absence as ensigns or banners for states of exploration and loss. The exhibition operates as part wunderkammer and part memory hole with past prime astronomy, geography, technology, and superstition as the backdrop. Battles will be fought and journeys begun but broken and disappeared, in the long view of time, approach.
Amelia Bauer stages alien nocturnes in the Western landscape. Joianne Bittle shows space age couture and found prehistoric displays. Aviram Cohen sets contact mics to trace invisible pathways. G.H. Hovagimyan forms ARs for floating zombie teen avatars. Nicholas Knight renders codes. Esperanza Mayobre maps points with no return. Jennifer and Kevin McCoy scan future ruins. MTAA prepares to disappear. Shannon Sberna sees hypnosis and future luck. Raphaele Shirley enlightens worlds and historic technologies. Janice Sloane performs and documents dark acts. Colleen Rae Smiley sews signals and Charles Orr with OTO design a graphic to inform and educate.
About OTO (Over The Opening) http://www.tinjail.com/over_the_opening/
From the fall of 2007 until the winter of 2009, the artist collaboration MTAA invited artists and art collectives to present one-night exhibitions of time based art in their North 6th Street Brooklyn studio. This ongoing monthly event curated under the name Over The Opening (OTO) operated as a blurring of studio space, exhibition venue and social experiment. The artists who worked with OTO represented a diverse array of practices. Works ranged from a tamale making workshop, to endurance karaoke to experimental computer games. Over the years, OTO presented 26 exhibitions of expansive scope with modest means. Ensign Srg A* at Radiator Arts marks the first OTO exhibition in a gallery setting.
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Jan 02, 2015
posted at 00:48 GMT by M.River in /news/mriver
Dec 31, 2014
posted at 20:04 GMT by M.River in /news/mriver
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Nov 23, 2014
posted at 17:11 GMT by M.River in /news/mriver
For the one or two people interested in how the training is going for my new career as a male watch model, here is a tumblr site - Leonardo Di Casio. Enjoy. permanent link to this post
Aug 13, 2014
posted at 02:36 GMT by M.River in /news/mriver
SNAD in Domenico Quaranta essay for Art and the Internet (pic thanks to Owen Mundy)
Also, Paddy Johnson writes about it over on Artnet - A Brief History of Animated GIF Art, Part One and I found that Hanne Mugaas put it in Frieze Issue 159 Frieze Issue 159 back in November 2013
Very cool. Thanks all. permanent link to this post
Jul 16, 2014
posted at 12:12 GMT by M.River in /news/mriver
We’re still not sure if MTAA is or is not in the exhibition net.art Painters and Poets in Ljubljana, Slovenia curated by Vuk Ćosić & Alenka Gregorič but we do know that Vuk sent us a picture of one of the best SNAD “Physical Outputs” ever. Show runs to August 31, 2014 permanent link to this post
Jul 15, 2014
posted at 01:55 GMT by M.River in /news/mriver
Solvent transfer drawing for South First’s Group Material Unrealized Proposals show. List of 10 things I know about Austria and image from my hotel room in Leondig from 2007
GROUP MATERIAL: REACTIVATING THREE “UNREALIZED” PROPOSALS
10 vague things I learned on my only trip to Austria in the Fall of 2005 and then remembered nine years later on the occasion of SOUTHFIRST Gallery’s re-activation of the unrealized curatorial proposal North/South of Bounds, reinterpreted as American/Austrian Boundaries, from the artist-run collective Group Material (1979-1996)
1. Cotton candy is called candyfloss.
2. Grown men, in general, do not wear shorts in Austria unless you count Lederhosen.
3. I was told and I agreed that Americans do not know how to say goodbye.
4. Everyone used the slang “Zuper” to describe something good as in “This beer is Zuper!”.
5. Celebrating your 38th birthday alone in a street cafe in Vienna can be perfect.
6. Vienna is the English name for Wien.
7. As the shouting match in the train station confirmed, Germans and Austrians do not necessarily get along.
8. When in doubt, talk about music.
9. Most people I knew in New York had not been to Austria, most people I met in Austria had been to New York.
10. If new drinking buddy promises at 2am to pick you up from the hotel and take you to the airport at 7am sharp, you might want a backup plan.
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Jan 26, 2014
posted at 15:46 GMT by M.River in /news/mriver
As part of the Real Estate exhibition at the Ventana 244 Art Space at 244 North 6th Street in Williamsburg , Brooklyn in the city of New York, MTAA has sub-subleased an exhibition space in Raphaele Shirley’s art installation tilted “The Only Property I Will Ever Own” which in turn was subleased from the artist Tamas Veszi, who is leasing the space from Peter Soriano and Philippe Richard who are somehow leasing the space from the Gallery owners from January 24—February 28, 2014 or something like. The lines are somewhat unclear at this point.
Anyways, Raphaele Shirley’s art installation tilted “The Only Property I Will Ever Own” consist of a vintage dollhouse sized barn mounted on top of Tamas Veszi installation. In the barn, Shirley has install a light installation. MTAA, as a sub tenet of Shirley, has installed two almost identical photographs in the barn. The photographs may be viewed via small black and white monitor that is connected to a surveillance camera mounted in the barn.
So, MTAA in agreement with Raphaele Shriley, would like to place for sale on craigslist a work titled MTAA’s Sub-Sublease of Shirley’s The Only Property I Will Ever Own which is comprised of the barn, the light installation, the two photographs, the monitor, the camera and assorted cables for $5,500 OBO.
MTAA is willing to deliver and install the artwork to any location in the city of New York. Delivery costs to location outside of New York City can be negotiated.
Craigslist post for the work permanent link to this post
Dec 30, 2013
posted at 18:20 GMT by M.River in /news/mriver
No to spectacle.
No to virtuosity.
No to transformations and magic and make-believe.
Agree with transformation and magic but make-believe is all we have.
No to the glamour and transcendency of the star image.
No to the heroic.
No to the anti-heroic.
We try but that is what we always end up with. Is that fine?
No to trash imagery.
What? No. Maybe.
No to involvement of performer or spectator.
Yes to the no involvement part but only for the performer.
No to style.
No to style always ends up as a style. How about change style often?
No to camp.
No to seduction of spectator by the wiles of the performer.
Could not seduce the audience with our wiles if we tried, so that works for us.
No to eccentricity.
First misread that as electricity and strongly disagreed.
No to moving or being moved.
Sure. We do not like to be touched while performing as well. Creepy.
Yvonne Rainer - No Manifesto, 1965
MTAA’s Maybe Manifesto in relation to Yvonne Rainer’s No Manifesto, 2013
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Dec 17, 2013
posted at 23:44 GMT by M.River in /news/mriver